Closing Oregon's art gap
<<FULL ARTICLE>>
Independent Art
<<FULL ARTICLE>>
Diem Chau and Wendy Given
at Fifth Floor Gallery
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Into the wild
<<FULL ARTICLE>>
The Fine art of collecting
Where to find pieces you'll love—and how to buy them.
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Atlanta link comes
vividly to the forefront
By Jerry Cullum
FOR THE JOURNAL-CONSTITUTION
Wendy Given's "Domestic Predators" collages and photography possess a similar willingness to confront cuteness and make it scary. These intelligently arranged critters are totally unthreatening, but you'll never look at doggies or kitties quite the same way again.
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WEEKEND PREVIEW Friday, Aug. 4, 2000
Private universe
lurks
beneath cartoon surface
Wendy Given, who has just moved from Atlanta to Los Angeles, became well known during her half-dozen or so years of exhibitions here for cartoonish figures that superficially resemble children's art. But her animal figures have always gone beyond the too-cute-for-words world of cartoons to embody something more psychologically complicated.
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Forty Winks for the Four-Footed
Nancy Solomon Gallery, project room
April-May 1997
Written by Jason A. Forrest
Art Papers, July/August 1997 p.48
Forty Winks for the Four-Footed, the latest installation by Wendy Given, is a silly adventure composed of seven artists "curated" from the artists mind. Immediately one recognizes the bizarre scope of Ms. Given's imagination.

